Things I love about vim

• Tabbed interface in the 7.x line
• Macro recording
• Built-in sed
• :make
• Not needing to remember a thousand key combinations that require seventeen fingers to properly execute

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Initial Thoughts on Windows 10 -- UPDATED!
I'm done with Microsoft for any platform that is not a telephone. Windows 10 attempts to "fix" the abomination that was windows 8 on the desktop, but just makes things worse.

The "search" "app" that replaces the previous existing search feature really only sends a query to bing. I'm looking for a file somewhere in a subdirectory on my hard drive. I didn't want to search the web for 20141020*.txt. The UI looks like crap. Slapping a titlebar on top of the "modern" "apps" does not make them usable on the desktop. The start menu has returned, but it has never been this useless. And the ability to revert to the "classic" start menu, the behavior introduced in windows 95, and refined in win98 and Windows 2000, has been removed. I shouldn't be surprised by that given that Windows 7 also lacked the "classic" start menu. At least Windows 7 allowed a "Windows Classic" theme for the rest of the UI.

Ever since Service Pack 3 for Windows XP, MS has been slowly and surely trying to make things "easier." However, what they deem "easier" often means removing features and behaviors I relied on to get work done. Windows 10 continues this tradition.

I never really had a problem with Microsoft, I never avoided their software for ideological reasons. I believe in using the right tool for the job. Windows 10 is the wrong tool for any job.

UPDATE!!!

Using the Windows Update mechanism, MS pushed out a new build of Windows 10. This upgraded the installation from build 9841 to build 9860. After a lengthy download, installation, and a very long reboot, I was able to log in again, Only to be greeted by this:



And this lovely error when I tried to open the new "Notification Center":



Now isn't that special?

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The Truth is Out There
Tonight, I had the great fortune of joining a person who means the world to me at a book signing by Gillian Anderson and her co-author Jeff Rovin. Jeff has ghost-written/co-written several novels for and with Tom Clancy, and Gillian is AGENT DANA SCULLY!!!

Gillian indicated that she modeled the main character as someone she would play in a cinematic version of the story, and Jeff mentions that, while not required reading, the novel is a spiritual sequel to Edgar Allan Poe's only novel, The Narrative of Arthur Gordon Pym of Nantucket.

I'm going to put The Crytptonomicon on the back burner and put Poe's work and this new novel, A Vision of Fire at the front of my priority queue.

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Give My Love to the Princesses
I was out and about and happened to run into these two lovely ladies who seemed to like the car.

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Resetting Vim
On occasion while I'm coding, I'll mistype something and vim's code autoindenting will stop honoring my settings. Likely, I've done something stupid that has disabled or modifying the settings from the defaults I set in my .vimrc file.

If (when) this happens, Vim can be reset without exiting the procces by going into command mode and typing

:source $MYVIMRC

This reloads the settings of the .vimrc file without forcing you to restart the process, thus losing your place in your code.

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1401554904
http://en.m.wikipedia.org/wiki/Amargasaurus

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Looking back...
As I look back at code I wrote a decade ago as an undergrad, I often find lots of little things that can be done better. For instance, in one file I found that reversing the order in which two functions were called would have eliminated a half dozen conditionals from one of the functions and would have resulted in the same expected behavior, but with fewer lines of code and a lower cyclomatic complexity.

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1396881317
Gear Tip: Dry Out Soggy Sneakers | Runner's World http://www.runnersworld.com/running-shoes/gear-tip-dry-out-soggy-sneakers?cm_mmc=F

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Writing

"You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash

Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

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Revision Control
One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?

Ominous seems like it could be a good thing given the current direction of the album.

If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

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Another Demo Update
Two weeks! Ha! It's been closer to two months.

A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

If anyone actually listens to it, I'd be happy to accept any comments and criticism.

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Demo -- Update
Rskutins recorded his drum part and sent it to me via the wonders of TCP/IP netowrking. On Friday night I finally had enough time (and motivation) to start recording.

I spent a lot of time fighting with ProTools. It repeatedly crashed. Often, when it didn't crash, it simply stopped recording and reported that an error had occurred. I'm remembering this for the ProTools rant that will be coming in the future.

After 45 minutes I had recorded about 6 seconds of vocals and the 24 second bass line. The next block of Copious Free Time(TM) I have, I'll begin the rough mix of the three parts. Hopefully ProTools won't crash as often during that phase.

With any luck, it'll be mixed in the next week or two.

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Demo
In the next few weeks we are going to attempt to record and roughly mix a demo of a short track which will serve as an introduction to the album.

Currently known as 11, it is a very short piece in 4/4 time at 80bpm. It is in the key of B minor and the spoken words are taken from a quote attributed to Nietzsche.

What upsets me is not that you lied to me, but that from now on I can no longer believe you.

This short demo will hopefully get me motivated enough to put more time into the album.

More information will be posted when it becomes available.

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A Brief History
Last Summer, my friend, rskutins, and I decided we were going to write an album. He got out his drum machine, being smaller and easier to store and carry than a full kit, and I got out my bass and we started putting together some pieces that were... not good.

We had little direction, I was afraid to play things outside of my comfort zone, and we had some problems communicating. This project quickly fell apart, but we never completely gave up the idea.

In March I found the inspiration I needed. I talked to rskutins and we started working on an album again. This time, fueled by strong emotion, both fiery and depressed, I started by writing lyrics.

Not all are complete, but there are about 15 sets of lyrics for us to use as a starting point. Rskutins has tweaked the lyrics in some places to make them fit a better rhythm while still maintaining the intent of the words. I am quite pleased by what he has done.

Based on these lyrics we have begun writing short pieces here and there when we feel inspired. Rskutins has laid down some pretty good beats to start with. I've been attempting to learn some basic music theory and trying to apply those ideas to the layers on top of what rskutins has written already.

And that's where we are now. Still learning, still writing. Our day jobs have slowed down our progress considerably so it could very well take until the Autumn before we're ready to record and mix the album.

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Happy Birthday

I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

If you care (or even if you don't), their set list follows:

• Night Shift
• Down
• Control
• Always
• Red Stars
• Video kid
• Lover's End
• Forever
• Pins and Needles
• Happy Birthday
• Alibis
• Calling
• In the Dark
• Sleep Walking
• Midnight
-- Encore --
• Leaving Tonight
• The Long Way Home
• Blue

The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

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Happy Birthday

Last night, as an end to my 30th birthday weekend, I went to see The Birthday Massacre in Teaneck. The show was at the Mexicali Live which is a rather small, intimate venue with full table service for dining, and a bar with some really good microbrews on tap.

The first act was A Verbal Equinox. I thought they were pretty good, especially considering they all seemed to be still in high school. Their set was pretty tight, with mostly original songs and a My Chemical Romance cover. Frankly, I think they did the MCR song just as well, if not better, than MCR. They definitely had a good rhythm section.

The next band, who shall remain nameless, was described by some as "Armenian Industrial." I thought the music was good, but I wished the singer would just shut up. No singing, no talking to the crowd. Just. Shut. Up. Their set would have been awesome as an instrumental.

During their set they had two "gothy cheerleaders" on stage. It turned out that one of them was my friend's niece. Kinda random.

After their set, I ran into a couple of the kids from the first band and talked to them a bit. I told them I liked what I heard and they thanked me and gave me a CD-R labeled with sharpie containing their first recorded single. Something about that is just awesome.

The Birthday Massacre was great. They played a good mix including songs from every album.

If you care (or even if you don't), their set list follows:

• Pins and Needles
• Control
• Happy Birthday
• Forever
• Burn Away
• Shallow Grave
• Always
• Weekend
• Video kid
• Blue
• Looking Glass
• Lover's End
• In the Dark
• Horror Show
• Red Stars
-- Encore --
• Sleep Walking
• Midnight

They didn't play my favorite song, "Broken," but I was not disappointed in the set at all. After they finished, Rainbow was on stage for a bit talking with people from the crowd. I told him it was a great show and asked if they'd be playing "Broken" at tonight's show with Dir En Grey. He said it wouldn't be in the set, but he loves that song and they'd rehearse it for their next tour.

A rather blurry picture of The Birthday Massacre from the show.

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Happy Birthday

Last night I went to see The Birthday Massacre in Hackensack. The show was at the School of Rock which is a rather small, intimate venue.

The first act was September Mourning. I thought they were pretty good. I got to speak to Emily and Chris from the band later in the evening and they seemed like pretty cool people.

Dommin was the next band up. The singer's got a pretty good voice and the bassist was really good. They played a cover of Depeche Mode's "People are People" and it was pretty good.

I was a little less than impressed with I Am Ghost. They weren't bad, but I couldn't get into them.

Early in the evening, before Dommin's set I went to the merchandise table and picked up two new shirts. Now I have TBM shirts that fit! I also picked up a copy of the new live album Show and Tell. Zimmy couldn't make it this tour, but Michelle, the girl who took his place, was just as awesome as he was.

The Birthday Massacre was great. They played a good mix from their albums including songs from their three albums and the Looking Glass EP.

If you care (or even if you don't), their set list follows:

• Red Stars
• Goodnight
• Falling Down
• Play Dead
• Weekend
• Shiver
• To Die For
• Lovers End
• Remember Me
• Video Kid
• Violet
• Looking Glass
• I Think We're Alone Now
• Walking With Strangers
• Blue
• Happy Birthday

They didn't play my favorite song, "Broken," but I was not disappointed in the set at all.

After the show they came out to meet the fans. I was able to get their new live album signed by Falcore, Oen, Rainbow, and Chibi. The latter three also autographed the photos I had taken with them last year and they were pretty nice about it.

Not that anyone really cares, but these are the photos my friend took. If you view the full version, be warned that I'm in the photos too.

M. Falcore	Chibi

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Happy Birthday

Friday night was the Birthday Massacre/Mindless Self Indulgence show. Due to various circumstances and events, my friends and I made it to the venue just in time to see the last 3 minutes of TBM's set.

I made an attempt to see The Birthday Massacre last August in new York but that attempt failed due to prior commitments. So for two years in a row I tried to see them, and for two years in a row I failed. Sorta.

After seeing the last 3 minutes of the set and being very disappointed, I went over to the merchandise booth to buy a souvenir T-shirt. My friend James joined me and we, mostly James because of his gregarious nature, started a conversation with the guy at the counter, whose name was Zimmy. We told him what had happened and asked if there was any chance of catching the band as their equipment was being packed up.

He told us their gear had already be packed, but if we hung out after the show they'd be coming out to meet the fans. So we hung out after the show.

After the crowd dissipated, we went back into the venue's main room. Sure enough, several members of The Birthday Massacre were standing around, signing autographs, and talking to the fans. James and I went up to O-En first. He was very friendly and talked with us for ten or fifteen minutes. I told him about missing the show two years running and he gave me his sympathies and thanked me for trying to get to the shows. I asked him if he had any idea when they'd be in the area again and he gave me a general idea of when to expect them to be back. He was nice enough to sign my copy of Violet and let us take a photograph.

Next we went over and talked with Chibi. She was also very friendly although we didn't speak to her for quite as long as we did O-En. She signed Violet and took a photo with me and thanked us for coming to see them, even though we missed the set.

The last member of the band I got to see was Rainbow. Like O-En and Chibi, he too was very friendly. We talked to him for several minutes and I collected another autograph and photo.

All three of them were very friendly with every one and they all seemed to genuinely care about their fans. I had heard from some one who had met them before that they were some of the nicest people you could ever meet. O-En, Chibi, and Rainbow confirmed that on Friday night. Now that I've met them, I can't wait for the next opportunity to finally catch their set.

Not that anyone really cares, but these are the photos James took. If you view the full version, be warned that I'm in the photos too.

O-En	Chibi	Rainbow

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